Street Photography Makes Me Uncomfortable mk2
I was re-reading some of my old posts lately because I’ve started work on a mini book based on my Substack posts’…
Read more →I was re-reading some of my old posts lately because I’ve started work on a mini book based on my Substack posts’…
Read more →I’ve been thinking about how photographers develop over time. Looking at what I’ve been writing over the last few months, I see…
Read more →Once you understand your cognitive profile, the question becomes what to do with that understanding. You can fight your natural architecture, trying…
Read more →Your audience self-selects partly based on shared cognitive architecture. This isn’t about intelligence or sophistication. It’s about whether your mode of thinking…
Read more →My mother sometimes jokes that she raised a ghost, because there are barely any photographs of me as a child or teenager.…
Read more →Photography instruction assumes cognitive uniformity. Teachers describe their own process and expect students to replicate it. “Learn to see the light.” “Pre-visualise…
Read more →I can tell you exactly how I felt standing on a sand dune in Morocco many years ago, watching my wife photograph…
Read more →Photography education and criticism privilege verbal articulation. You’re expected to be able to explain your work, discuss your influences, articulate your intentions,…
Read more →Ansel Adams talked about pre-visualisation as the foundation of his photographic method. He could see the final print before making the exposure,…
Read more →Josh Warner posted on Substack photos he took with a Kodak DC210A he bought for next to nothing on a flee market.…
Read more →A software engineer looking 50 in the eye. Photography picked up over 20 years ago, then set aside as life intervened — and recently returned to, with a deliberate focus on monochrome. Also drawn to found negatives: rolls of film abandoned by strangers, full of lives worth rescuing from obscurity.