Don’t look for validation of your photography
Photography is in essence a conversation between you and the world, not you and an audience. There is a reason why it’s…
Read more →Photography is in essence a conversation between you and the world, not you and an audience. There is a reason why it’s…
Read more →I travel roughly 2,000 kilometres a week for work. Sometimes, on the train, I put my phone away and sit with nothing.…
Read more →I stopped photographing for many years. Nothing dramatic happened; it was a slow fade. I’d go out with a camera, walk around,…
Read more →I first encountered the phrase deadpan photography around Youtube, of all places. I was watching one of Tatiana Hopper’s videos I think…
Read more →My view of Japan is cartoonish. It’s built almost entirely from exports and a European vantage point. When I watch how other…
Read more →After mentioning this idea of somehow being able to authenticate the source of a photo, I’ve implemented and tested the idea. Here…
Read more →I took this photo a good while back. I was arriving in Paris by train, and a commuter train overtook us (for…
Read more →On paper, photography looks like a bad coping strategy. You take a heavy thing with you out the door, walk around, and…
Read more →Photographers will tell you a good photograph needs to stand on its own. No explanation, no supporting text; what’s in the frame…
Read more →Digital photography gave us something film never had: an instant undo button for our own judgement. See an image on the back…
Read more →A software engineer looking 50 in the eye. Photography picked up over 20 years ago, then set aside as life intervened — and recently returned to, with a deliberate focus on monochrome. Also drawn to found negatives: rolls of film abandoned by strangers, full of lives worth rescuing from obscurity.