Serious = Suspicious
Like me, you’ve probably carried both phones and proper cameras through countless streets, events, and gatherings, and the difference in people’s reactions…
Read more →Like me, you’ve probably carried both phones and proper cameras through countless streets, events, and gatherings, and the difference in people’s reactions…
Read more →I’ve always tried to understand things: how objects are built (I was the kind of kid that wanted to understand how his…
Read more →When I was a kid, I read all the Foundation extended universe books. One per day, I was obsessed. Not just because…
Read more →As a viewer of photography, when I look back at the images that truly stay with me, they almost always contain something…
Read more →For me, photography is a deeply solitary process. It’s not something I do in the company of others, nor in groups, and…
Read more →Since I started taking photography seriously ca. 2003, the craft has become democratised beyond recognition. Every pocket contains a device capable of…
Read more →Your habitual locations tend to feel boring, empty of photographic interest. Ordinary is a curse. But are they, really? Is it really…
Read more →A while back, Josh suggested that I read a book by Austin Kleon, “Show your work“. I wasn’t convinced at first I’d…
Read more →A few weeks ago, when we were on holiday in Southern Spain, I took some photos with two film cameras: the Flexaret…
Read more →We’ve all heard many photographers talk about storytelling in their photography. How many YT videos can you find on the subject? It’s…
Read more →A software engineer looking 50 in the eye. Photography picked up over 20 years ago, then set aside as life intervened — and recently returned to, with a deliberate focus on monochrome. Also drawn to found negatives: rolls of film abandoned by strangers, full of lives worth rescuing from obscurity.