Deadpan Photography: Enjoying the Pretence
Juliette wrote last week about Deadpan photography. I was intrigued because it’s a term I had seen start appearing all over the…
Read more →Juliette wrote last week about Deadpan photography. I was intrigued because it’s a term I had seen start appearing all over the…
Read more →The photography education industry runs on a specific kind of desperation. Browse Instagram or scroll through YouTube and you’ll find an unending…
Read more →I first encountered the phrase deadpan photography around Youtube, of all places. I was watching one of Tatiana Hopper’s videos I think…
Read more →My view of Japan is cartoonish. It’s built almost entirely from exports and a European vantage point. When I watch how other…
Read more →For a while I assumed the relationship was simply doomed. Photography requires patience: you develop a project over months without knowing whether…
Read more →The standard advice for lens selection follows a simple formula: match the focal length to the genre. Portraits need 85mm or longer.…
Read more →There is no shortage of people eager to tech you photography online these days. There are probably many tens of thousands of…
Read more →The justification photographers reach for when defending raw files is technical: more latitude, recoverable highlights, adjustable white balance. Sound in principle, largely…
Read more →After mentioning this idea of somehow being able to authenticate the source of a photo, I’ve implemented and tested the idea. Here…
Read more →Projects change. Photographs move from person to person, from tool to tool. A crime-scene photo passes from the investigator’s camera to a…
Read more →A software engineer looking 50 in the eye. Photography picked up over 20 years ago, then set aside as life intervened — and recently returned to, with a deliberate focus on monochrome. Also drawn to found negatives: rolls of film abandoned by strangers, full of lives worth rescuing from obscurity.