Latent: digital film camera
I like the film experience very much. I like the limitations of the medium (e.g. fixed ISO), the limitations of the process…
Read more →I like the film experience very much. I like the limitations of the medium (e.g. fixed ISO), the limitations of the process…
Read more →When I go out to take photographs, it can go two ways depending on location, days, and my mood: I’m pretty sure…
Read more →The argument for better gear is seductive because simple: get more sensitive sensors, better autofocus, faster lenses and motors, and you’ll produce…
Read more →One common advice to novice street photographers is to photograph the same area, near home, over and over again. That would allow…
Read more →I setup the zine exchange club a few months back. I like zines as a window into what interests people and how…
Read more →One of the hardest thing in photography isn’t to learn how to use the camera or define your vision. It’s learning to…
Read more →When I started taking photography seriously, I was taking single photos. At most, I’d go back to the same place over and…
Read more →We’ve all been beginners one day. And we’ve all been criticised for creating cliché photographs. The implication is that clichés shows a…
Read more →My quest through deadpan photography and New Topographics has led me to discovering a photographer that kind of lives at the intersection:…
Read more →Last week I said I hate the word work and then proceeded to use it and explain it with a private definition:…
Read more →A software engineer looking 50 in the eye. Photography picked up over 20 years ago, then set aside as life intervened — and recently returned to, with a deliberate focus on monochrome. Also drawn to found negatives: rolls of film abandoned by strangers, full of lives worth rescuing from obscurity.