How Photography Works In My Head #2: The Visualisers and the Engineers
Ansel Adams talked about pre-visualisation as the foundation of his photographic method. He could see the final print before making the exposure,…
Read more →Ansel Adams talked about pre-visualisation as the foundation of his photographic method. He could see the final print before making the exposure,…
Read more →Josh Warner posted on Substack photos he took with a Kodak DC210A he bought for next to nothing on a flee market.…
Read more →Most people assume everyone thinks the same way they do. They imagine that when you say “picture this in your mind,” everyone…
Read more →On my way back from Lyon recently, I experimented with trying to convey meaning over prettiness.
Read more →Out of cycle post. This is something I’ve been noticing and I’ve been trying to articulate for a while. I’m not sure…
Read more →In today’s near infinite storage space, it’s easy to lose track of the photos you take. You stop seeing any of them…
Read more →I have cameras I haven’t touched in months. In fact I have cameras I’ve never used. They sit on a shelf, visible…
Read more →Photography sells itself as preservation. We take pictures to capture moments, to remember what happened, to hold onto people and places before…
Read more →When I left Lyon, it started to snow. Not completely uncommon here (at home we call it the frozen East), but not…
Read more →Some of us maintain that gear doesn’t matter. And technically, we’re right: a camera won’t make you a better photographer. But there…
Read more →A software engineer looking 50 in the eye. Photography picked up over 20 years ago, then set aside as life intervened — and recently returned to, with a deliberate focus on monochrome. Also drawn to found negatives: rolls of film abandoned by strangers, full of lives worth rescuing from obscurity.