Is Substack Just a Bunch of Echo Chambers?
I’m still trying to identify why I like Substack so much more than other social platforms. So navel gazing warning is in…
Read more →I’m still trying to identify why I like Substack so much more than other social platforms. So navel gazing warning is in…
Read more →I’m not a street photographer. Part of it is that I live in the middle of nowhere and we don’t really have…
Read more →Sometimes, photography reminds me of scientific research. Both disciplines demand an intense focus on minute details, adhering to conventions that outsiders rarely…
Read more →During my last visit in Paris, I went to a Richard Avedon exhibition at the Cartier-Bresson Foundation.
Read more →In our modern world of unlimited cloud storage and high-capacity hard drives, the practice of printing photographs might seem antiquated. Yet, this…
Read more →With the spring definitively here (though some cold weather last week), I go for walks outside more often. This time I took…
Read more →Sometimes people call me pedantic because I insist on defining things precisely. I don’t do it for pleasure. I do it because…
Read more →I hate photography challenges. They just don’t work for me. But I also desperately want to take part.
Read more →Many, many years ago when I lived in Edinburgh, I used to go to Fringe festival shows. Like most locals, I hated…
Read more →Can I show you more flowers from one of my walks? The rape is in full bloom (hello hay fever!). I liked…
Read more →A software engineer looking 50 in the eye. Photography picked up over 20 years ago, then set aside as life intervened — and recently returned to, with a deliberate focus on monochrome. Also drawn to found negatives: rolls of film abandoned by strangers, full of lives worth rescuing from obscurity.