Faces Don’t Matter
We’re wired to look for faces. Show someone a photograph with people in it and their eyes go straight to the faces,…
Read more →We’re wired to look for faces. Show someone a photograph with people in it and their eyes go straight to the faces,…
Read more →The ongoing challenge in teaching photography to a young person is protecting them from gear culture. Marketing is sophisticated and pervasive. Social…
Read more →Over the past few weeks or months, I’ve noticed more and more people in the photography community sharing their zine experiments online.…
Read more →I recently reviewed my library of posts and it gave me an idea. What began here as a random series of posts…
Read more →When you photograph someone and they notice you, something changes in both of you. For them, it’s brief: a moment of self-consciousness,…
Read more →My father died of cancer in November. After the funeral, the paperwork, the strange silence that follows all of that, my doctor…
Read more →After the first six weeks, my niece will have foundation: purpose, seeing, basic technical control. Now the teaching moves from building fundamentals…
Read more →There’s a special feeling that comes from holding something you made yourself, something printed or folded or stapled together, knowing it only…
Read more →Every photograph exists in two phases: the taking and the revisiting. Most photographers never consciously separate them. That’s part of why so…
Read more →My niece has spent four weeks photographing on full automatic. She understands what photography is for, she’s developed her eye, she knows…
Read more →A software engineer looking 50 in the eye. Photography picked up over 20 years ago, then set aside as life intervened — and recently returned to, with a deliberate focus on monochrome. Also drawn to found negatives: rolls of film abandoned by strangers, full of lives worth rescuing from obscurity.