Photographer Focus #4: Anja Niedringhaus
The number of women war photographers is incredible. I wasn’t expecting to fins so many. I’m only going to cover some of…
Read more →The number of women war photographers is incredible. I wasn’t expecting to fins so many. I’m only going to cover some of…
Read more →I’ve seen a number of people creating curated lists of Substack photography newsletters lately. Some are just blunt lists that are hard…
Read more →Years of landscape photography eventually crystallised into something I could trust. The experimentation settled, the instincts took hold, and I started recognising…
Read more →1. What does your creative ritual look like? Do you have specific habits or conditions that spark your creativity? First, I need…
Read more →I hadn’t planned to make a series on women war photographers. When I started looking into Lee Miller, I found references to…
Read more →Photography is in essence a conversation between you and the world, not you and an audience. There is a reason why it’s…
Read more →She opens her TEDx talk talking about a blue vest. It’s a flak jacket. Twelve pounds of Kevlar, in the specific shade…
Read more →I travel roughly 2,000 kilometres a week for work. Sometimes, on the train, I put my phone away and sit with nothing.…
Read more →I’m into deep dives at the moment and I think I’ll make this a regular feature. I first came across Dickey Chapelle…
Read more →I stopped photographing for many years. Nothing dramatic happened; it was a slow fade. I’d go out with a camera, walk around,…
Read more →A software engineer looking 50 in the eye. Photography picked up over 20 years ago, then set aside as life intervened — and recently returned to, with a deliberate focus on monochrome. Also drawn to found negatives: rolls of film abandoned by strangers, full of lives worth rescuing from obscurity.