Shooting Raw Is About Insecurity, Not Possibilities
The justification photographers reach for when defending raw files is technical: more latitude, recoverable highlights, adjustable white balance. Sound in principle, largely…
Read more →The justification photographers reach for when defending raw files is technical: more latitude, recoverable highlights, adjustable white balance. Sound in principle, largely…
Read more →After mentioning this idea of somehow being able to authenticate the source of a photo, I’ve implemented and tested the idea. Here…
Read more →Projects change. Photographs move from person to person, from tool to tool. A crime-scene photo passes from the investigator’s camera to a…
Read more →The saying has earned its place through repetition: the best camera is the one you have with you. There’s obvious sense in…
Read more →Gear Acquisition Syndrome operates on a simple mechanism: attributing the limitations in my work to the limitations of my tools. When I…
Read more →I took this photo a good while back. I was arriving in Paris by train, and a commuter train overtook us (for…
Read more →On paper, photography looks like a bad coping strategy. You take a heavy thing with you out the door, walk around, and…
Read more →Photographers will tell you a good photograph needs to stand on its own. No explanation, no supporting text; what’s in the frame…
Read more →Digital photography gave us something film never had: an instant undo button for our own judgement. See an image on the back…
Read more →We’re wired to look for faces. Show someone a photograph with people in it and their eyes go straight to the faces,…
Read more →A software engineer looking 50 in the eye. Photography picked up over 20 years ago, then set aside as life intervened — and recently returned to, with a deliberate focus on monochrome. Also drawn to found negatives: rolls of film abandoned by strangers, full of lives worth rescuing from obscurity.