Tradita and Retenta
Last week I said I hate the word work and then proceeded to use it and explain it with a private definition:…
Read more →Last week I said I hate the word work and then proceeded to use it and explain it with a private definition:…
Read more →Most of my photos are never seen by anyone. Not even my family and friends. I take a fair number of them,…
Read more →There’s a literary scandal in France this week, and it has to do with AI use: Thélyson Orélien wrote C’était ça ou…
Read more →I’ve been taking photos of benches for years. Sometimes on purpose because I find them intriguing and I have an thing for…
Read more →Before you push the shutter button, before even you leave the house, everything has been decided. You might not have a list…
Read more →Photographers often pride themselves on knowing who they are and what they do. In fact, a lot of us believe that it…
Read more →I used to believe my photography time was precious, which meant every outing had to count. If I couldn’t imagine the shot…
Read more →There is nothing that separates a password mugshot from a photography master piece: you can use the same camera for both, the…
Read more →I suspect every photographer has a piece of equipment that changed everything for them. Not always expected, rarely expensive. But the one…
Read more →Street photography is something that bothers me, so I want to understand it. And to understand things, I need to classify them…
Read more →A software engineer looking 50 in the eye. Photography picked up over 20 years ago, then set aside as life intervened — and recently returned to, with a deliberate focus on monochrome. Also drawn to found negatives: rolls of film abandoned by strangers, full of lives worth rescuing from obscurity.