Teaching Photography #4: How Photographs Communicate
Week four combines analysis with continued practice. My niece has been making photographs for three weeks, and she’s developed intuitions about what…
Read more →Week four combines analysis with continued practice. My niece has been making photographs for three weeks, and she’s developed intuitions about what…
Read more →Photography has a self-image problem, and it starts with the word “witness.” The term has circulated in photographic theory long enough to…
Read more →My niece will spend weeks two and three developing her eye through structured assignments, all while keeping the camera on automatic. She’s…
Read more →I was re-reading some of my old posts lately because I’ve started work on a mini book based on my Substack posts’…
Read more →The first session with my niece will establish what photography is actually for, but not through abstract discussion. She’ll have her camera…
Read more →You already know the photograph. Nick Ut took it in 1972 on a road in Vietnam: a girl running, napalm smoke behind…
Read more →My niece is twelve. She loves taking photos with whatever’s in her pocket, but the 550D I gave her sits mostly untouched…
Read more →I’ve been thinking about how photographers develop over time. Looking at what I’ve been writing over the last few months, I see…
Read more →Once you understand your cognitive profile, the question becomes what to do with that understanding. You can fight your natural architecture, trying…
Read more →There’s a contradiction that’s been nagging at me for years, and I’ve only recently found a way to articulate why it’s a…
Read more →A software engineer looking 50 in the eye. Photography picked up over 20 years ago, then set aside as life intervened — and recently returned to, with a deliberate focus on monochrome. Also drawn to found negatives: rolls of film abandoned by strangers, full of lives worth rescuing from obscurity.