Playing With Old DSLRs

Photographers are split into two groups: those who swear by their gear and upgrade to the latest of everything all the time, and those who say that gear doesn’t matter. I used to be in the first group, I’m now in the second.

To prove my point, I got my hands on a lot of old Canon 40Ds for 8€ each. Canon released it in 2007. So these are nearly 20 years old. These have had a hard long lives (200K+ clicks, bits broken, rubber plugs broken or perished). But they allegedly worked, so I wanted to test them because I have plans for them (that will involve “deconstruction”).

Warning: big photo dump.

40Ds
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Photography Is a Solitary Process

For me, photography is a deeply solitary process. It’s not something I do in the company of others, nor in groups, and I don’t really talk about it with anyone directly. In an era of social media and oversharing, where every moment seems to be documented for likes and comments, this may seem counterintuitive. But for me, the act of taking photos is about introspection. It’s a personal experience. One that doesn’t require, and is often hindered by, external input.

Boat in Paris
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In a World Where Everybody Has a Camera and Takes Photos All Day, What Is Being a Photographer?

Since I started taking photography seriously ca. 2003, the craft has become democratised beyond recognition. Every pocket contains a device capable of producing images that would have required thousands of euros of equipment twenty five years ago. But, I see the same tired shots repeated endlessly: the obligatory sunset, the artfully arranged breakfast, the mirror selfie with calculated spontaneity, the same copycat shots of the masters.

This saturation creates an interesting paradox: we’re drowning in images whilst starving for actual photography. Are we really all photographers?

Intense drumming
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Where Are The Documentarians?

A while back, Josh suggested that I read a book by Austin Kleon, “Show your work“. I wasn’t convinced at first I’d be interested, but as he thought I would be, I gave it a chance and bought it. It turns out that the title and the blurbs are misleading and the book is in fact very interesting and overlaps significantly with what I write here.

One of the things Austin says is “become a documentarian of what you do”. When I read that chapter, I had the realisation that this is potentially the one thing I miss the most in the world of photography. It seems photography has lost its documentarians somewhere along the way.

Early attempt at rock photos, 2007
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