Street Photography Makes Me Uncomfortable

To me, street photography feels like an intrusion in other people’s lives. The more I think about it and the more I try to do it, the more I feel uncomfortable about it.

This is of course ignoring the issues with truth, representation, ethics, and consequences. This is really the first step of that more general reflection: whether the activity should or can even take place and its place in reality.

Youth near Beaubourg, Paris, with one of the A/C vents coming out of the ground. Shot at f/22 to get some people motion blur in the strong sunshine in the absence of an ND filter handy
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Sunday stoll

Not a usual discussion about photography this time. As this post is out of schedule, I decided to cover something more in line with A day in the life. I’m taking you on a walk around my village.

As I mentioned before, I normally walk on my own after each meal, often in the house because of the weather and to be available for work just in case an emergency arises. But at the weekend, I sometimes go for a walk with my wife instead if the weather is nice. As spring has arrived (the geese and cranes are back and the birds are starting to be noisy in the morning), we went for a Sunday walk after lunch.

Going for a Sunday stroll just outside our house
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A day in the life

I’m not used to be on the lens end of a camera. I’m usually the one taking the photos, to such an extent that my mother complained a few years ago that when she went over the family photos to create albums of her kids (a thing mums do, I guess), she could only find a few of me. And I’m happy with that.

The gauntlet is thrown

But recently I decided that I wanted to capture more of everyday life and people around me for my personal record. I’m getting old and I’m increasingly aware of the passage of time and how I can’t go back.

So, this time, a slight departure from the usual ramblings: I’m going to show you a day in my life. If you’re interested in pushing the fun further, we could turn this into a loose collaboration (I know I don’t have a large reach here, but whoever wants to take part is welcome): show me a day in yours.

This post might be long…

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Communicating Our Inner World

I see photography not just as the activity of producing images/art/a record, but also as a bridge between our internal landscape and the external world we selectively engage with. While we cannot directly photograph thoughts or emotions (yet), our choices in subject matter, composition, and timing reveal the invisible threads of our inner narrative.

Foggy landscape with just a few isolated trees
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Take More Photos Of People Around You

In today’s world, we’re constantly bombarded with photography. The perfectly curated, Instagram-ready images that tell a story in a single frame. But one of the most important things I’ve realized in the last few years is just how significant it is to take photos of the people around you. Not the posed, carefully staged portraits we think of as “important” pictures, but the candid, everyday snapshots that capture the essence of who these people really are.

My grandfather in his 90s shortly before his death
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Why I Try Hard To See Substack As a Good Place

As I said before, I’m not a social media person. I often find myself questioning whether I should try harder to be on those platforms and what they could possibly give me.

In an age where photos are posted daily (hourly? Minutely? Secondly?) on platforms like X and Instagram, it’s easy to overlook the deeper intentions behind each image. I’ve spent a lot of time reflecting on this: why people take the photos they do, how they approach it, and what they see in those images. And as I’ve navigated these thoughts, one platform has kept me coming back: Substack.

A rusty metal hook in the sand is holding a fishing net in the sea
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