Why Not Become a Photo Pro?
If you’re serious about photography, at some point the question will need to be addressed: should you become a professional?
Read more →If you’re serious about photography, at some point the question will need to be addressed: should you become a professional?
Read more →Switching to monochrome has changed how I see photography from the conceptual viewpoint, but also from the process viewpoint.
Read more →Lately I’ve been curious about medium format. I like the look and I like the 6×6 format. Unfortunately for me, I’ve never…
Read more →To me, photography, isn’t just a medium for artistic expression or documentation. It creates an implicit social contract between the photographer, the…
Read more →I never followed trends. Still don’t. The branded trainers, the tribal colours, the group signalling that consumed my schoolmates meant nothing to…
Read more →It’s easy to fall into the comfortable position of not taking photos, even if you want to. Taking photographs requires switching into…
Read more →Generative AI has had a massive impact on photography in the last couple of years. The moment Midjourney could conjure a flawless…
Read more →I argued a few weeks ago how serious image-making is similar in many ways to scientific research: photographers, like scientists, must master…
Read more →Your kitchen counter at 7 AM. Someone’s unmade bed caught in afternoon light. A stranger’s mug collection on open shelving. These images…
Read more →I’ve noticed something about the photography advice floating around online. Everyone talks about finding your “style” or upgrading your gear, but nobody…
Read more →A software engineer looking 50 in the eye. Photography picked up over 20 years ago, then set aside as life intervened — and recently returned to, with a deliberate focus on monochrome. Also drawn to found negatives: rolls of film abandoned by strangers, full of lives worth rescuing from obscurity.