I took this photo yesterday morning, a few minutes before the partial solar eclipse started (only a few percents here). I wanted the plant to frame the sun as if it was coming out of its vegetal cocoon.

I took this photo yesterday morning, a few minutes before the partial solar eclipse started (only a few percents here). I wanted the plant to frame the sun as if it was coming out of its vegetal cocoon.
I often see people looking at photographs and talking about their composition, colours, and message like they’re paintings. It seems expected that great photos have been thought through, planned, and perfectly executed, as if made in a studio. But does it make sense?
I really like Substack and the people I’ve interacted with on it so far. But I’ll be a bit controversial. Because sometimes you need to look at the less bright side of life to know where things really stand. I’m feeling frustrated with some of the trends I see on Substack: if you’re on Substack but you only have a paid subscription, you’re there to make money. Not to write. Not to share. Not for readers. For money.
These anchors are used to attach fishing nets that are thrown into the sea at high tide.
A couple is walking on the beach. It was a windy day.
Last weekend, I picked up one of our cars that had been slightly modified. I decided I wanted to take photos of it for fun, and they turned out quite fun to make and interesting.
Watching people go about their everyday activities is always fascinating.
To me, street photography feels like an intrusion in other people’s lives. The more I think about it and the more I try to do it, the more I feel uncomfortable about it.
This is of course ignoring the issues with truth, representation, ethics, and consequences. This is really the first step of that more general reflection: whether the activity should or can even take place and its place in reality.
This was taken a while back from a floor near the top of the Mercuriales towers.