In a world that often feels overwhelming and difficult to decode, I’ve found a lens to be more than just a tool. It’s become my interpreter, helping me understand and connect with a reality that sometimes seems to speak a different language than I do.
I’m not used to be on the lens end of a camera. I’m usually the one taking the photos, to such an extent that my mother complained a few years ago that when she went over the family photos to create albums of her kids (a thing mums do, I guess), she could only find a few of me. And I’m happy with that.
The gauntlet is thrown
But recently I decided that I wanted to capture more of everyday life and people around me for my personal record. I’m getting old and I’m increasingly aware of the passage of time and how I can’t go back.
So, this time, a slight departure from the usual ramblings: I’m going to show you a day in my life. If you’re interested in pushing the fun further, we could turn this into a loose collaboration (I know I don’t have a large reach here, but whoever wants to take part is welcome): show me a day in yours.
I see photography not just as the activity of producing images/art/a record, but also as a bridge between our internal landscape and the external world we selectively engage with. While we cannot directly photograph thoughts or emotions (yet), our choices in subject matter, composition, and timing reveal the invisible threads of our inner narrative.
The recursive aspect of the scene attracted me: taking the photo of a couple looking at a photo showing someone taking the photo of a group of people in front of another group having their photo taken.
A couple is looking at a photo in the street showing someone taking a photo of people in front of people having their photo takenContinue reading “Recursive photo”
I like the perspective of the wide angle lens. It stretches the boat that os already quite long. Traditionally, these boats transport coal, gravel, and stones up and down the river.