Kodak DC200 (ca. 1998-1999)

Josh Warner posted on Substack photos he took with a Kodak DC210A he bought for next to nothing on a flee market.

This was a version of my first digital camera (mine was a DC200) I bought with one of my first salaries in the UK as I was working on a post doc project.

I dug up some old photos from my archive taken with that camera. I only have a few since I had it stolen very quickly after I bought it (it was in my rucksack, with my ID papers, my wallet, and my house keys).

Most of these were taken around Edinburgh, where I lived at the time. I seem to have shot in low resolution (640×480) because storage was at a premium in the 90s (and note that these images survived nearly 30 years in my archives without cloud storage!). They are unmodified, as they came out of the camera at the time.

Kodak DC 200 Plus (not my photo)

Playing With Old DSLRs

Photographers are split into two groups: those who swear by their gear and upgrade to the latest of everything all the time, and those who say that gear doesn’t matter. I used to be in the first group, I’m now in the second.

To prove my point, I got my hands on a lot of old Canon 40Ds for 8€ each. Canon released it in 2007. So these are nearly 20 years old. These have had a hard long lives (200K+ clicks, bits broken, rubber plugs broken or perished). But they allegedly worked, so I wanted to test them because I have plans for them (that will involve “deconstruction”).

Warning: big photo dump.

40Ds
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It’s not the camera, it’s you

If you look at the distribution of subjects of youtube videos, blogs, and articles, an overwhelming amount is about hardware (some are barely disguised ads). While innovations in camera technology have undeniably made photography more accessible and easier, the idea that only the latest and most expensive equipment can produce great photos is nonsense. In fact, for most photographers and shooting conditions, any camera less than 15 years old can produce fantastic results. The real limiting factor in photography isn’t the camera, but the photographer’s ability, creativity, and understanding of the craft.

Two fishermen on the beach in the morning.
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