I took this photo in Crovie, on the Northern coast of Scotland. It’s a tiny fishing village stuck between a cliff and the sea.

I took this photo in Crovie, on the Northern coast of Scotland. It’s a tiny fishing village stuck between a cliff and the sea.
I’ve taken a lot of lighthouses in my years because I find their idea insane: build a structure in the most inhospitable places, put a few guards in it, and make them keep the light on. It’s crazy.
This insanity made me go round a lot of the Scottish East coast lighthouses to photograph them.
I took this picture in October 2006 in Findhorn, Scotland (see previous posts to see more photos from that spot).
Last week I visited the lighthouse at Cordouan, on the French Atlantic coast, not far from where I live. It’s one of those things that aren’t far, but as a local you don’t do (e.g. when I grew up in Paris it took me many years to visit the Eiffel tower the first time even though I saw it nearly every day).
I took this photo in 2008 with my 5D. I was on my way to the West coast of Scotland with a friend of mine (in the photo next to the monument) and we stopped on the way when I saw this monument away from the road on top of a hill. We walked to it and took some photos.
I remember it had a long list of names on a plaque, so I’m assuming it was a war monument, but I now can’t remember exactly what it said.
When I lived in Scotland, I’d spend a lot of my weekends across the country on the West Coast. Especially in the winter. The scenery is spectacular there, and very sparsely populated.
Sometimes, you take a photo not because it’s well composed, but because its meaning strikes you.
When I was in Oslo early June, I tried to spend as much time as possible in the streets taking photos. For me, as I was there for work, it meant mainly in the morning on my way to the office. Which was good: the light was great. High enough to go between buildings, but not above them.
I won’t only show what I think are good photos here. It’s worth discussing failures as well, and it’s important to be honest. Here is such a failure.
This is one of the first monochrome photos I made back in 2006. It was taken at Dunnottar, a fortress on a rock in Northern Scotland. I wanted to learn digital monochrome at a time when it wasn’t that common (or it was just desaturation and super flat).